https://www.ecgmeiner.com/home daily 1.0 2026-02-09 https://images.squarespace-cdn.com/content/v1/5ef0e518c6c81e6248199f35/1768501011558-NHHTHI5CNQ6ZWJV49NNC/image.jpg Home Sleep Lock the Bones. Photo: Signe Fuglested Luksengard Maritea Dæhlin Maritea Dæhlin is an interdisciplinary artist who lives and works in Norway and Mexico. She is interested in human behaviours, emotions, rituals and encounters. Her work spans between theater, video performance, performance art and text. Her art comes off as playful, non-linear and sometimes absurd. Dæhlin's studies include a BA in Devised Theatre with Digital Arts at Dartington College of Arts in England (2007-2010) and a 2-year acting course at Nordic Black Express in Norway (2005–2007). Her work has been nominated for the Norwegian critic’s prize (2020) and for the Heddapris (2022). Dæhlin was an associated artist at Black Box teater and is a recipient of a work grant for artists by the Arts Council Norway. Her work has been shown at venues and festivals from South- to North America and in Europe, such as Black Box teater (Oslo), Les SUBS (Lyon), Kilden teater (Kristiansand), Nulty Bod festival (Prague), Defibrillator Gallery (Chicago), Kunstbanken – Hedmark Kunstsenter (Hamar), Center for Performance Research(New York), Centro Cultural España (Mexico City), RAS-Regional Arena for Samtidsdans (Sandnes), No Nation Gallery (Chicago), Central School of Speech and Drama (London), and San Agustin Arts Centre (Oaxaca). PRODUCTIONS Sleep Locks the Bones Originally a plant I want to be traditional I guess you have a lot of questions. A bedtime story https://images.squarespace-cdn.com/content/v1/5ef0e518c6c81e6248199f35/1686823951099-0F3Y5RQEALOAGX3EYXV0/image-asset.jpeg Home Iris, pupil, retina, etc. Photo: Alette Schei Rørvik Iggy Malmborg Iggy Malmborg is a performance artist and actor based in Malmö. Although trained in traditional acting, his works span a wide range of aesthetics and styles – both in solo and collaborative work. Iggy Malmborg’s greatest artistic interest is to use performance as a model on which the discourse of the plays can be applied directly. Using strategies comparable to minimalism, he sheds light on the politics of theatre, as a hierarchical machine with (unconscious) patterns of inclusion and exclusion. Over the years, Malmborg’s works have gained international recognition and have been hailed for presenting a complex intellectual discourse in a concrete way, filled with humor and warmth. Malmborg's solo performance SATAN is currently on tour. Performing dates and venues are announced continuously. SATAN is the story of a hero who tries to become a villain, but fails. Following along on a bumpy road from a deeply Christian family in the Swedish countryside, through friendships, sins, and homelessness, to theatre stages and venues all around Europe. An homage to the ancient form of oral storytelling that brings the audience to far away places. "Malmborg’s performance is outstanding. Every hesitation, every gesture seems as if the memory spontaneously brings back feelings that are difficult to control.” Dimo Rieß, Leipziger Volkszeitung https://images.squarespace-cdn.com/content/v1/5ef0e518c6c81e6248199f35/1768501397945-PRPH8JQA9EZVD2ZG4SNA/JKM02335+sRGB.JPG Home Photo: Jonas Mailand føremørk by Emilie Karlsen & Marlene Bonnesen In føremørk, two bodies move in a landscape shaped by years of correspondence. Through a long exchange of online letters, they have shared the everyday, the intimate, the private and the details in what surrounds them. They lead each other into dim terrains, where the body is pulled in and dragged out again. Side by side they move forward, pick up what appears along the way and put it into their pockets. Drawing on animated worlds, the clumsy and hopeful act of being human, the layers of social codes, and a hundred pages of letters, they have created a dance universe that gives weight to both the drama and the dryness that shapes daily life. What lives inside the tiny details of a day? What is allowed to unfold inside you while buying groceries at Rema 1000? føremørk is made in close collaboration with an invaluable artistic team, all sharing the wish to craft a work with its own identity and inner logic, one that leans into both sorrow and joy, the grotesque, the fragile, and the quietly alluring. A world unfolding at the threshold between day and night. https://images.squarespace-cdn.com/content/v1/5ef0e518c6c81e6248199f35/1721056590621-LPP3HTE0AZVA489N5DKH/DSC_7633.jpg Home Photo: Tale Hendnes Blue Carousel by Bysheim & Patry Blue Carousel is a satire on seduction. A power play of expectations and associations, collapsing and climaxing into a series of transformations. Bysheim and Patry work with humour and repetition as a choreographic tool to comment on how the body is viewed, objectified and categorised. A playful and suggestive work that questions and challenges what is socially accepted vs the absurdity in the unexpected, while deconstructing the binaries of the masculine and feminine. Lisa Colette Bysheim (1991) and Katrine Patry (1986) have collaborated since 2018 creating several choreographic and video works. https://www.ecgmeiner.com/verdensteatret daily 0.75 2025-06-29 https://images.squarespace-cdn.com/content/v1/5ef0e518c6c81e6248199f35/1599768291493-HEU8Y0AYPLGM1VG8N59Z/VT_TMT2.jpg Verdensteatret Verdensteatret Verdensteatret is an Oslo-based art collective founded in 1986 by Lisbeth J. Bodd and Asle Nilsen. Verdensteatret consists of video and sound artists, painters and poets, and sculptors and computer programmers who together have developed an intricate audiovisual style. Their poetics is characterised by a dedicated long-term development, creating scenes of sensuous activity and an ongoing experimentation within different media which result in space related orchestral works. Combining aspects of concerts, theatrical performances, and visual art installations, the company builds many of its large scale productions from raw materials collected during journeys combined with stories of the fragile human soul. Verdensteatret’s work has been shown at the Brooklyn Academy for Music in New York, On the Boards in Seattle, Sonica Glasgow, Sonic Acts in Amsterdam, Kampnagel in Hamburg, NCCA (National Center for Contemporary Art) in Moscow, the 8th Shanghai Biennale at the Shanghai Art Museum, Ultima - Contemporary Music festival, Henie Onstad Art Center and Black Box teater in Oslo, among others. https://images.squarespace-cdn.com/content/v1/5ef0e518c6c81e6248199f35/1599768291493-HEU8Y0AYPLGM1VG8N59Z/VT_TMT2.jpg Verdensteatret Verdensteatret Verdensteatret is an Oslo-based art collective founded in 1986 by Lisbeth J. Bodd and Asle Nilsen. Verdensteatret consists of video and sound artists, painters and poets, and sculptors and computer programmers who together have developed an intricate audiovisual style. Their poetics is characterised by a dedicated long-term development, creating scenes of sensuous activity and an ongoing experimentation within different media which result in space related orchestral works. Combining aspects of concerts, theatrical performances, and visual art installations, the company builds many of its large scale productions from raw materials collected during journeys combined with stories of the fragile human soul. Verdensteatret’s work has been shown at the Brooklyn Academy for Music in New York, On the Boards in Seattle, Sonica Glasgow, Sonic Acts in Amsterdam, Kampnagel in Hamburg, NCCA (National Center for Contemporary Art) in Moscow, the 8th Shanghai Biennale at the Shanghai Art Museum, Ultima - Contemporary Music festival, Henie Onstad Art Center and Black Box teater in Oslo, among others. https://images.squarespace-cdn.com/content/v1/5ef0e518c6c81e6248199f35/1610359239194-VQPQI1KM6ZLGS8KLY19P/VT_Trust_me_tormorrow_03_web_Photocredit_Verdensteatret.jpg Verdensteatret https://images.squarespace-cdn.com/content/v1/5ef0e518c6c81e6248199f35/1610358819761-EKCVL8I4ZEGXT5YTP4PB/image.jpg Verdensteatret Trust me tomorrow. Photos by Verdensteatret and Jenny Berger Myhre. https://www.ecgmeiner.com/eszter-salamon-mothers-daughters daily 0.75 2026-02-11 https://static1.squarespace.com/static/5ef0e518c6c81e6248199f35/t/6769ab5bba23ef136b3f82e7/1734978395524/ Eszter Salamon Mothers & Daughters Eszter Salamon MOTHERS & DAUGHTERS with Sulekha Ali Omar and Safia Abdi Haase, Christine Nypan and Drude Haga, Erzsébet Gyarmati and Eszter Salamon. MOTHERS & DAUGHTERS is a performance that highlights the collaboration between generations and the mother-daughter bond. An invitation to other forms of physical presence, and to an experiment around the poetry of ageing and relationships across generations. With MOTHERS & DAUGHTERS, Eszter Salamon pursues the work she began with her mother and shares it with two other mothers and daughters, leading to the development of a "school of touch". Freeing herself from a supposedly 'natural' feminine bond, Salamon imagines new forms of physical presences. How can a choreographic approach to the mother-daughter relationship come into contact with the personal and collective imagination? By doing away with all forms of Freudian psychoanalytic hypothesis, she conjures up, in the present and in the feminine form, a new field of possibilities that puts the emphasis on the practice of care, solidarity and transmission of knowledge. https://static1.squarespace.com/static/5ef0e518c6c81e6248199f35/664f0cd698c7443238b70cdc/66953895c9684d19ef1fcacd/1734978395524/ Eszter Salamon Mothers & Daughters Eszter Salamon MOTHERS & DAUGHTERS with Sulekha Ali Omar and Safia Abdi Haase, Christine Nypan and Drude Haga, Erzsébet Gyarmati and Eszter Salamon. MOTHERS & DAUGHTERS is a performance that highlights the collaboration between generations and the mother-daughter bond. An invitation to other forms of physical presence, and to an experiment around the poetry of ageing and relationships across generations. With MOTHERS & DAUGHTERS, Eszter Salamon pursues the work she began with her mother and shares it with two other mothers and daughters, leading to the development of a "school of touch". Freeing herself from a supposedly 'natural' feminine bond, Salamon imagines new forms of physical presences. How can a choreographic approach to the mother-daughter relationship come into contact with the personal and collective imagination? By doing away with all forms of Freudian psychoanalytic hypothesis, she conjures up, in the present and in the feminine form, a new field of possibilities that puts the emphasis on the practice of care, solidarity and transmission of knowledge. https://www.ecgmeiner.com/dates daily 0.75 2026-01-19 https://www.ecgmeiner.com/sprechstunde daily 0.75 2023-01-07 https://images.squarespace-cdn.com/content/v1/5ef0e518c6c81e6248199f35/1612481292229-GW2Q9TTZZ64OV14W58FF/BAC03779%2Bcopy.jpg Sprechstunde https://www.ecgmeiner.com/about daily 0.75 2021-03-19